From: Chris Stovall Brown
Soul Music Legend Betty Harris returns to the music business with live appearances and a new cd!
Betty Harris to kick off scholarship fund, April 17th, for underprivileged youth in hometown of Hartford, CT.
Hartford, March 31, 2005: Soul music legend and Hartford resident, Betty Harris, returns to the music business with a benefit concert for the Betty Harris Scholarship Fund. The concert will take place at Weaver High School Auditorium, 415 Granby St, Hartford, Ct. on April 17, 2005 at 6pm and is open to the general public. Tickets can be purchased in advance by calling 860-243-5461 or at the door the night of the performance. This benefit concert marks Betty's return to the music business after a three decade absence. Ms. Harris has recently recorded a new cd (that's currently being shopped) and will be premiering new original material. Betty will also be performing later in the month in New Orleans, LA. for the prestigious Ponderosa Stomp. The Ponderosa Stomp takes place on April 27th at the Rock 'n' Bowl, New Orleans at 8:15pm. Further info: http://www.knights-maumau.com/stomp_4.php
BACKGROUND INFORMATION: Although she hailed from Florida and never even lived in New Orleans, the twenty gems that Betty Harris cut for Crescent City studio swami Allen Toussaint during the '60s are unparalleled in the realms of the city's funky soul continuum. Ever since she retired-in 1969 at the height of her career-her records have been slowly amassing a cult following among DJs, fans and music freaks not unlike the underground legacy that slowly built around Howard Tate prior to his recent comeback. While her mysterious whereabouts and brilliant discography have led to a mountain of speculation and distortions of the facts, the truth is that she just recently began performing again after taking three decades off to raise her family and live a quiet existence away from the music business.
Born in Orlando in 1939, Harris was raised in a strictly religious household-both her parents were ministers-where rhythm and blues was frowned upon. She began singing in church and by her late teens had sought out her idol Big Maybelle, who agreed to take her on the road as her protégé. Harris attributes her awesome vocal power to Maybelle's rigorous coaching; certainly her gospel background was a solid foundation.
She cut her first record for the Douglas label in 1962 before crashing the charts in '63 with her biggest hit, a slowed-down, soulful reworking of Solomon Burke's "Cry To Me," produced by Bert Berns with Jerry Leiber and Mike Stoller sanding at the ready. All in all, Harris waxed eight sides for the East Coast team, her final release, "Mojo Hannah"-a slice of Louisiana-style soul penned by Andre Williams that seemingly forecast the fact that she was about to shake New Orleans to its very core.
Harris met Toussaint in 1965 and the pair produced the very first disc on Toussaint's brand new Sansu label. Toussaint seemed to take extra care with his craft when working with Harris; from the mesmerizing "Bad Luck" to her smokin' version of "Ride Your Pony" (a hit for Lee Dorsey) to her final testament, the nearly apocalyptic "There's A Break In The Road," Toussaint unwittingly cast Harris in the role of a dyed-in-the-wool New Orleans soul legend. Ever since her retirement she's been one of the city's most sought after missing musical links.